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Patricia C. Phillips, New Views and Re-views Mary Lum, 64 Scenes (with an essay by Steven Nelson) Roxana Marcoci, Perceptions at Giacometti through Contemporary Eyes Rebecca M. Brown, P.T. Reddy, Neo-Tantrism, and Modern Art in India Jessica Stockholder and Joe Scanlan, Art and Some Introductory Ideas Chris Hanson and Hendrika Sonnenberg, Where Are the Drugs? Hirsch Perlman, A Wastrel’s Progress and the Worm’s Retreat Angela Dalle Vacche, Scrolls, Boxes, and Manuela Filiaci’s Work Robin Greeley, What El Norte Can Learn from Latin America Alejandro Anreus, Jose Gómez Sicre and the “Idea” of Latin American Art Francisco Alambert, 1001 Words for Mário Pedrosa Florencia Bazzano-Nelson, Marta Internationalism or Regional Resistance? Andrea Giunta, Jorge Romero Brest and the Coordinates of Aesthetic Modernism in Latin America Holly Barnet-Sánchez, Tomás Ybarra-Frausto and Amalia A Critical Discourse from Within Mark A. Cheetham, Matting the Malevich, Klein, and Now Nana Last, Systematic Inexhaustion Raymond Spiteri on Gérard Durozoi, History of the Surrealist Movement, Jennifer Mundy, ed., Desire Unbound, and Michael Richardson and Krzysztof Fijalkowski, eds., Surrealism Against the Tracts and Declarations Gregory Sholette on Andrew Hemingway, Artists on the American Artists and the Communist Movement, 1926–1956 Adrian Kohn on Donald Judd, Complete Writings, 1959–1975 Soraya Murray on Paul D. Miller, a.k.a. Dj Spooky that Subliminal Kid, Rhythm Science

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