
A Feminist Reader in Early Cinema
by Amelie Hastie, Lucy Fischer, Sumiko Higashi, Gaylyn Studlar, Mary Ann Doane, Anne Morey, Jane M. Gaines, Siobhan B. Somerville, Patricia White, Shelley Stamp, Zhen Zhang, Catherine Russell, Jennifer M. Bean, Lori Landay, Angela Dalle Vacche, Kristen Whissel, Radha Vatsal, Kristine J. Butler
- Tytuł oryginalny
- Atomic Habits
- Język oryginału
- Angielski
- Liczba stron
- 320
- Wydawnictwo
- Avery
O tej książce
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism.Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic.Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen
Więcej od Amelie Hastie
Doing Women's Film History: Reframing Cinemas, Past and Future
Jane M. Gaines, Christine Gledhill, Luke McKernan, Monica Dall'Asta, Kay Armatage, Sarah Street, Giuliana Muscio, Neepa Majumdar, Eylem Atakav, Karina Aveyard, Michele Leigh, Debashree Mukherjee, Elizabeth Ramirez Soto, Katarzyna Paszkiewicz, Rashmi Sawhney, Canan Balan, Cécile Chich, Eliza Anna Delveroudi, Kimberly Tomadjoglou
Gender Meets Genre in Postwar Cinemas
E. Ann Kaplan, Lucy Fischer, Chris Straayer, Jane M. Gaines, Yvonne Tasker, Christine Gledhill, Steven Cohan, Pam Cook, Deborah Thomas, Adam Segal, Vicente Rodriguez Ortega, Luke Collins, Ira Bhaskar, Katie Model, Derek Kane-Meddock, Samiha Matin, E Deidre Pribram, Xiangyang Chen
Cabinet 24: Shadows
Jocko Weyland, Daniel Handler, Julia Bryan-Wilson, Trevor Paglen, George Pendle, Tony Wood, Amelie Hastie, Kris Lee, Victor Stoichita
American Cinema of the 1920s: Themes and Variations
Mark Anderson, Lucy Fischer, Sumiko Higashi, Jennifer M. Bean, Angela Dalle Vacche, Marcia Landy, Professor Michael Aronson, Professor Sara Ross, Professor Gwenda Young, Professor Maureen Turim