The Marieluise Hessel Collection: Volumes I & II

Published by CCS Bard on the occasion of its 30th anniversary, The Marieluise Hessel Volumes I & II tells the story of the development of this wide-ranging collection, built by Marieluise Hessel over more than 50 years of collecting from artists and galleries. Marking the first comprehensive catalogue to document the collection in its entirety, the two-volume publication considers impact of Hessel’s original decision to dedicate these holdings to Bard in the early 1990s to create a new type of graduate arts program focused exclusively on curatorial studies. Through contributions by more than 50 leading curators, critics, and CCS Bard alum, the catalogue explores the collection’s reverberating impact on the curatorial field. Comprising nearly 2,000 paintings, photographs, works on paper, sculptures, single-channel video, and multi-media installations from the 1960s to the present day, the Hessel Collection is considered among the leading contemporary art holdings on a university campus. International in scope, the collection is distinguished by its dedication to artists who explore conditions of race, gender, class, culture, and society in their practice. It has consistently pursued strong representation of works by women artists and, over the past decade, has focused on increasing representation of African American artists, African artists, and artists of the African Diaspora. The growing collection features notable representations from the foremost movements in contemporary art, such as Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media. The publication features original essays by more than 30 CCS Bard graduates. Edited by CCS Bard Executive Director Tom Eccles and Amy Zion, with contributions by Richard Armstrong, Liam Gillick, Lauren Cornell, and Ann Butler.