
The Cinema of Russia & the Former Soviet Union
by Richard Taylor, Ian Christie, Marcia Landy, Josephine Woll, David MacFadyen, Birgit Beumers, Natasha Synessios, Susan Larsen, David Gillespie, Andrei Plakhov, Stephen Hutchings, Karla Oeler, Alexander Prokhorov, Anthony Anemone, Elena Prokhorova, Phil Cavendish, Rachel Morley
- Tytuł oryginalny
- Atomic Habits
- Język oryginału
- Angielski
- Liczba stron
- 320
- Wydawnictwo
- Avery
O tej książce
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).
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Audiences: Defining and Researching Screen Entertainment Reception
Ian Christie