
The Best Women's Monologues from New Plays, 2019
by Jessica Lind Peterson, Jacqueline Goldfinger, Theresa Rebeck, David MacGregor, Arnold Johnston, Constance Congdon, Deborah Ann Percy, Don Nigro, Sam Bobrick, Victoria Stewart, Andrew R. Heinze, Glenn Alterman, Seth Rozin, Michael Hollinger, Michael McKeever, David Meyers, Richard Vetere, Christi Stewart-Brown, Michael A. Jones, James Hindman, Brian Silberman, Lawrence Harbison, Seth Zvi Rosenfeld, Penny Jackson, Kate Scelsa, Brian Dykstra, Sharr White, Deborah Yarchun, Suzanne Bradbeer, Marisa Wegrzyn, Frank Winters, Reina Hardy, Chiara Atik, Jonathan Yukich, Fengar Gael, Jennifer Maisel, Alex Goldberg, Meghan Gambling, John Patrick Bray, Sam Graber, Lavinia Roberts, James McLindon, Merridith Allen, Eric John Meyer, Audrey Cefaly, Julia Lederer, Rhea MacCallum, Abe Koogler, Eleanor Burgess, Sam Chanse, Matt Lyle, Laura Neill, George Sapio, Adam Seidel, Daniel Damiano, Will Arbery, Christopher Demos-Brown, Nandita Shenoy, Aren Haun, Molly Goforth, James Presson, Joey Bobrick, Steven Hayet, Arleen Hutton, Boni B. Alvarez, Michael Ross Albert, June Guralnick, Laura Hirschberg, June Daniel White, Duncan Pflaster, Kathleen K. Johnson, Abbey Fenbert, Elayne Heilveil, Arianna Rose, Sarah M. Chichester, Ashlin Halfnight, A.J. Ciccotelli
- Tytuł oryginalny
- Atomic Habits
- Język oryginału
- Angielski
- Liczba stron
- 320
- Wydawnictwo
- Avery
O tej książce
Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Michael Ross Albert, Don Nigro, Daniel Damiano, Molly Goforth, Seth Svi Rosenfeld, Brian Dykstra, Michael A. Jones, Sam Graber, Penny Jackson, Christi Stewart-Brown, George Sapio, Sarah M. Chichester, Constance Congdon, Steven Hayet, and Ashlin Halfnight.There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.
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