
Mass Communication and American Social Thought: Key Texts, 1919-1968
by John Cheever, Sherwood Anderson, Charles Wright, Max Horkheimer, Theodor W. Adorno, Jane Addams, Norbert Wiener, David Riesman, Alain LeRoy Locke, Herbert Marcuse, Lewis Mumford, Dwight Macdonald, Gunnar Myrdal, John Dewey, Marshall McLuhan, Robert K. Merton, Herbert Blumer, Nathan Glazer, George Gerbner, Sidney Verba, Wilbur L. Schramm, Gordon W. Allport, Daniel Bell, Leo Löwenthal, Robert Staughton Lynd, Louis Wirth, Edward Sapir, Edward L. Bernays, Raymond A. Bauer, Thelma McCormack, Hans Speier, John Durham Peters, Daniel Lerner, Ernst Kris, Harold D. Lasswell, Hortense Powdermaker, Paul F. Lazarsfeld, C. Wright Mills, Hadley Cantril, Kurt Lang, Bernard R. Berelson, Stuart A. Rice, Elihu Katz, James Rorty, Rolf Meyersohn, Donald Horton, Robert Ezra Park, Helen MacGill Hughes, Dallas Smythe, Ernest Watson Burgess, Warren Breed, Harold Innis, John W. Riley, Julian Huxley, David Sarnoff, Charles Horton Cooley, Herbert Schiller, George Gallup, Reuel Denny, Herta Herzog, Galdys Engel Lang, Alfred McLung Lee, Elizabeth Briant Lee, Walter Lippman, Helen M. Lynd, Duncan MacDougald, Newton Minow, Saul Rae, Leila A. Sussmann, Malcolm Willey, R. Richard Wohl
- Tytuł oryginalny
- Atomic Habits
- Język oryginału
- Angielski
- Liczba stron
- 320
- Wydawnictwo
- Avery
O tej książce
This anthology of hard-to-find primary documents provides a solid overview of the foundations of American media studies. Focusing on mass communication and society and how this research fits into larger patterns of social thought, this valuable collection features key texts covering the media studies traditions of the Chicago school, the effects tradition, the critical theory of the Frankfurt school, and mass society theory. Where possible, articles are reproduced in their entirety to preserve the historical flavor and texture of the original works. Topics include popular theater, yellow journalism, cinema, books, public relations, political and military propaganda, advertising, opinion polling, photography, the avant-garde, popular magazines, comics, the urban press, radio drama, soap opera, popular music, and television drama and news. This text is ideal for upper-level courses in mass communication and media theory, media and society, mass communication effects, and mass media history.
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