Literature and Film in the Historical Dimension: Selected Papers from the 15th Florida State University Conference on Literature and Film

Storytelling as a Cognitive Instrument, by John D. Simons Rewriting the Risorgimento in Vincenzo Consolo's Il Sorriso Dell'ignoto Marinaio, by T. O'Neill From Printed Page to "The Voyage of Charles Darwin," by Julie S. Gibert South Africa from Text to Cry Freedom and A Dry White Season, by Victoria Carchidi Film as Historical Danton, by Elaine McAllister The Reigns of Foucault, Feminism, and Dangerous Liaisons, by Majda K. Anderson The Subject in/of Hiroshima Mon Amour, by Nancy Lane Lacan and Postmodernism in Brautigan's Dreaming of Babylon, by Mark Hedborn Dialectics of Transvaluation in Edith Wharton's The House of Mirth, by Rita Di Giuseppe The Yellow River Turning Blue, The Yellow River Turning He Shang and the "Cultural Craze" Movement, by Balance T.P. Chow Ishmael Reed's Postmodern Revolt, by Erik D. Curren Adaptation, History, and Textual Literary Sources of Hitchcock's Sabotage, by Thomas Hemmeter What Movie Are We Watching Here? Cinematic Quotation in Recent Hollywood Films, by Linda Anderson The Cinematic The Case of Los Santos Inocentes, by Patricia Santoro John D. Simons is professor of German, Florida State University.