Film Business: from The New Yorker, 1948-2003

Lillian Ross was a staff writer at The New Yorker for seven decades, and wrote on filmmakers regularly over the course of her extraordinary career. Beginning with “Come In, Lassie!”, a 1948 report on Hollywood’s reaction to HUAC through a 2001 visit to the set of Wes Anderson’s The Royal Tenenbaums, Ross covered the people who make the movies with singular insight and humor. Ross’ lengthiest pieces, about Otto Preminger fighting against the television broadcast of Anatomy of a Murder in 1966, and Francis Ford Coppola preparing for the release of One from the Heart in 1982, are legendary portraits of the larger than life personalities that Ross rendered human on the page.