
A New History of German Cinema
by Brad Prager, Erin McGlothlin, Philipp Stiasny, Michael Wedel, Marc Silberman, Richard Langston, Reinhild Steingröver, Marco Abel, Tilman Baumgärtel, Katie Trumpener, Rachel Palfreyman, Jennifer M. Kapczynski, Hunter Bivens, Professor Anton Kaes, Adeline Mueller, Professor Barbara Kosta, Barton Byg, Annette Brauerhoch, Antje Ascheid, Brian Hanrahan, Andrea Reimann, Bastian Heinsohn, Britta Herdegen, Barbara Mennel, Brigitte Peucker, Christine Haase, Carola Daffner, Christian Rogowski, Brigitta Brigitta Wagner, David Bathrick, Simon Richter, Paul Coates, Nora M. Alter, Robert von Dassanowsky, Sara Hall, Jaimey Fisher, Noah Isenberg, Gary Baker, Patrick Vonderau, Ulrike Weckel, Michael Cowan, Eric Ames, Daniel H. Magilow, John Griffith Urang, Robert Schechtman, Will Lehman, Heide Schlüpmann, Tobias Nagl, Cornelius Partsch, Laura Heins, Sebastian Heiduschke, Joel Westerdale, Janelle Blankenship, Jonathan Skolnik, Gregory Zinman, Monica Filimon, Deniz Gokturk, Katharina Loew, David N Coury
- Tytuł oryginalny
- Atomic Habits
- Język oryginału
- Angielski
- Liczba stron
- 320
- Wydawnictwo
- Avery
O tej książce
A dynamic, event-centered exploration of the hundred-year history of German-language film.This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly.Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.
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